Archive for January 4th, 2010

A Theme For Living – Mini-Quiz

Monday, January 4th, 2010
The human tendency to adapt as life changes swirl around us, or to stand pat by holding to the past even when doing so is self-defeating – begins when we are infants. Our personality patterns, values, attitudes, expectations and all the rest jelled when we were deciding who we are, what life is all about and what we are worth in the scheme of things. Your life-theme, the prism through which you interpret what goes on within and about you, has also been called a person’s world-view or mind-set. We prefer the term life-theme, for as a musical theme has a recurring pattern in a composition, so a person’s theme keeps showing up again and again in everything he or she does. Fortunately, a negative, discordant theme can be improved upon, can be brought to maturity. You can progress from a closed and fearful view of life to open and fearless expectations through which you can find greater fulfillment. Edwin Markham said it well.

Heretic, rebel, a thing to flout,
He drew a circle that shut me out.
Love and I had the wit to win,
We drew a circle to take him in.

Roberta has expanded her circle all her adult life. Nancy Hughes is a retired military nurse who does not see management, politics and patriotism from Roberta’s frame of reference. They clashed repeatedly in a health organization to which both belonged. Roberta considered her a martinet – and she knew Roberta was a soft-headed liberal as they tried to steer the group’s policy. Then she fell really ill and Roberta was one of the few persons who went to the hospital regularly to see bow she was getting along. She supported her emotionally as she broadened her circle to take her in and if you can imagine, no more than two weeks ago, Nancy put her arm around Roberta’s shoulder and said; I must be getting soft-headed – your ideas are beginning to make sense to me. It wasn’t the quality of Roberta’s ideas that had improved their relationship but her acceptance of Nancy as a person. And that grew stronger when she listened to her conscience that whispered: get over there – my friend needs some support.

Themes form like this in childhood.

PERSONAL LIFE THEME = f (Heredity x Environment x Choices)

An individual with an open and accepting theme simply assumes that he or she is an all right person, is competent enough to relate well to others and can adjust to good or bad circumstances as life shifts. Such a man or woman feels at peace in life and with the human race. On the other hand, a person with a closed and rejecting view of existence feels that something is wrong most of the time. Joan Bishop, for example, remains in a constant state of worry, fearful of her own emotions, frightened by those dangerous people who are different from herself and unable to work well toward a career. She feels that life must be frozen forever as it is now, to keep from losing the few good possessions, experiences and relationships she has managed to acquire. Our hearts bleed for Joan and we’d give anything if we could lead her to a deeper, more fulfilling acceptance of herself. It could be a new beginning for her – as healing as the one Charles Colson had when he left bare knuckle politics to work with prisoners and persons leaving captivity. An open and accepting theme would be a powerful predisposition toward making life outstanding for her and her family. There is, unfortunately, a major factor that complicates a person’s shift from a closed to an open theme. It is:

Each person’s life-theme is virtually always invisible to himself or herself.

Many psychologically unsophisticated persons feel that:

You may have a life-theme that focuses your life but what I experience is real. Concepts like personality patterns, mind-sets and life-themes are psycho-babble used by liberal psychologists, philosophers and other soft headed intellectuals to disguise how tough life really is.

Andy Hanson told Jard this early in their Logotherapy sessions. Andy cannot tolerate anyone of a different race, nationality of economic class. In one discussion he rambled for an hour – telling him how stupid and dangerous Blacks, Indians and Asians are and how cautious one must be around them. He says that his prejudices are based on the Bible that God planned for the white race to dominate the lesser breeds out beyond decency, who are not completely human. Andy has hurt many people physically as well as emotionally, for he is a strong and aggressive man, but because of his spiritually bankrupt life-theme he has harmed himself most of all. He is an enormously talented musician who could have contributed a great deal to humankind had he stepped out in faith, hope and love through a purposeful focus of his strengths. His fearful and closed life-theme has crippled him.

When a child learns during several formative years, from the handful of adults dominating the home that life is good – that when hungry he’ll be fed, when frightened will be comforted, when soiled will be cleaned – all in good grace, the child develops what psychologists call basic-trust. This is the normal feeling that life is pretty good, he or she is an all right person who deserves a share of the good things life offers and that there is enough love to go around. Such a child learns the secret of love that all you need do to win all the love you need is to offer your love to others. Open minded and accepting parents see to that. Unfortunately, this can be a cruel and brutal world for kids. Not all youngsters are that fortunate – in psychologically and philosophically immature homes many learn fear and doubt rather than love and trust.

A growing number of children, now that life has become increasingly complex, with so many parents trapped in spiritual bankruptcy and society spiraling out of control, grow up in misery. One study of inmates in women’s and men’s prisons revealed that most of the prisoners had terrible childhoods. Many were reared in poverty, but even those who had enough money were pawns in cruel conflicts between their parents, were taught nihilistic values or suffered sexual abuse within the home. Charles Manson, the evil mastermind behind the brutal Sharon Tate murders in California some years ago, defended himself when some media people accused him of kidnapping boys and girls and using them for such murderous schemes. Manson was quite honest when he indignantly insisted he’d stolen no one, that he recruited his followers sitting hopelessly on some curb where their parents had abandoned them. He had persuaded just a few of the many alienated, rage-filled adolescents of a deeply frustrated and nihilistic society to join him. How could such a child believe that he or she deserves faith, hope and love? He or she seldom prospers without a modicum of grace which overcomes the crippling assumption that he hasn’t the ability to attract love, to win life’s good things and live joyously without using mood altering drugs. Obviously most of the people who suffer basic-distrust toward life and others are not nearly so far down the mind-set continuum as Manson. They just feel miserable much of the time although some do become addicts and criminals.

Very few of us are as naively innocent as the protagonist in Melville’s great novel BILLY BUDD. Billy was so naively honest, aboard the whaling ship, that his crew mates had him killed to keep him from betraying their petty schemes while talking to the ship’s officers. Fortunately, even fewer people are like Ted Bundy who killed up to fifty college girls in his campaign of terror from Seattle to Florida. Nevertheless, many women and men are unable or unwilling to shift their life-themes from closed to open even when it’s in their best interests to change. They have lost the precious ability to adapt and to adjust, to take the powers life gives them and to turn them into something great Their minds are closed to new attitudes, activities and relationships unless they profit immediately from them.

Obviously, even the boys and girls who start out well in life learn caution along the way. We discover through parental guidance, logic or trial and error experience that stray dogs shouldn’t be indiscriminately petted, some strange men frighten mother and certain other kids will take all your candy or toys if given half a chance. In other words, although we learned basic-trust, we progress beyond our childhood innocence quickly enough. We become wiser in the ways of the world and its people and look into new situations before wearing our hearts on our sleeves. Nevertheless, in our heart of hearts, within our life-themes, we continue believing that life is pretty good, that we deserve to share in many good things and that families, organizations and communities work best through mutual faith, hope and love. We see life’s exceptions and even feel sorry for persons trapped in basic-distrust, for those who remain frightened and bitter, but we go on loving and trusting to the best of our abilities although we do due diligence to avoid being abused.

On the other hand, a doubting, suspicious person, suffering from a closed and fearful world-view, also sees exceptions in his grim, dog-eat-dog world. Society has a most generous portion of good pastors, talented teachers, honest merchants and all the souls who contribute to making a civilization succeed. However, if a person’s basic-distrust is burned deeply in his or her psyche, so that good and evil, trust and distrust cannot be put into perspective, the many good people may remain invisible. Because of a closed life-theme, they may never appear on his or her personal radar screen. Or, if they do appear, the sufferer may attribute their motives to selfishness or assume they are getting close in order to abuse him. Some persons with closed life-themes even set themselves up for attacks to prove that a distorted view of reality really is the right one. Of course, that drives away the very people who would make life more satisfying through mutually supportive relationships. Gerald Dawkins is a police officer with a closed life-theme that seriously complicates his activities and relationships.

Gerald goes armed around the community although he patrols in another precinct and relates to people through power and prestige rather than with persuasion and support He humiliates neighborhood children and teenagers and so antagonizes neighbors that some of them retaliate by smashing windows in his patrol car and stealing his kid’s toys from their yard. Then he complains how rotten the neighbors are and how he is compelled to use violence to keep them in line. He is married to a little sparrow of a woman – his third marriage – who’s afraid to challenge him when he abuses her. We have little doubt that his attitudes and actions reflect his rage toward the people he’s sworn to protect and serve. Gerald has brutalized scores of black teenagers whom he claims assaulted him or resisted arrest, testifying in court to send several to prison on flimsy charges. Nihilistic, opportunistic city administrators hid the facts of Gerald’s malfeasance and abuse of authority for as long as possible to keep from embarrassing themselves and a cynical county attorney steered a grand jury away from indicting him for crimes committed behind the protection of his badge. Even his chief admitted that Gerald has a dark soul that we call a negative life-theme. Not long ago, Gerald injured an innocent elderly black couple when a grenade exploded in a drug raid gone bad and then brutalized a handcuffed teenager. The lawsuits that resulted lead to the payment of hundreds of thousands of dollars in damages and penalties by Minneapolis tax payers to atone for his angers and violence. Gerald’s talks about moving out into the county but instead keeps on working for Minneapolis, where he’ll be part of an army of occupation more than anything else. Gerald is the kind of cop or soldier who dominates others through intimidation and violence and when that fails to keep life tolerable, kills himself with his service pistol. In the past decade when New York City was losing twenty-one police officers to street violence by criminals – sixty-six of its cops shot themselves to death with their service revolvers.

As with most of us, Gerald’s negative life-theme remains invisible to himself although it is perfectly obvious to his neighbors. To him the violence that swirls around him is the central reality of his unhappy and aggressive existence. What he desperately needs is to mature as a real-person, to live with faith, hope, and love and to find peace within himself and with the world. If he fails to find philosophical wholeness, if he doesn’t develop spiritual values, he’ll likely drift into yet another marriage and cripple his children – even if he doesn’t die in a dirty alley some night because he abused someone even more alienated and aggressive than he is. And faster with a gun.

The Unofficial Trucker Movie Top 10

Monday, January 4th, 2010

By Andrea Rizzo

From “They Drive By Night” to “Black Dog”: The Unofficial Trucker Movie Top 10

In recent years, the art of customizing big rigs and maneuvering around dangerous trucking conditions have made reality television a far more interesting place with serials like “Trick My Truck” and “Ice Road Truckers.” Although truckers and the profession of truck driving seem like unlikely bedfellows with Hollywood, American cinema has attempted to capture the independent spirit of the profession within the last several decades through action sequences, adventurous cross-country hauls, and romance on the road. We have scoured countless film reels to create an unofficial trucker movie Top 10.

This listing follows on the heels of the last edition of CareersinGear.com Magazine, where we brought you the best trucker songs of all time with, “We Gonna Roll This Truckin’ Convoy: The Unofficial Trucker Top 10.” Chosen in the same format, the following 10 trucker movies somehow further the genre by way of truck stop brawls, romance on the road, and whole lots of kitsch. This is by no means an absolute list, and hopefully we will see some even newer trucking films crop up.

1. “They Drive by Night” (1940)
This classic piece of film noir stars Humphrey Bogart and George Raft as the Fabrini brothers, a truck driving team struggling to make it during the Great Depression. It is one of the first films to center on truck driving as an occupation, and Bogie and Raft, albeit with great theatrics, bring to light many of the troubles independent truck drivers face. Add in the brassy and bold Ann Sheridan as a truck stop girl who doesn’t hold back, and the conniving and cunning Ida Lupino as a murderous vixen, and there you have it: a love triangle that leads to bad things. As the movie trailer implies, this film is “the high-geared saga of reckless men who find romance by the side of the road,” and Bogie and Raft sure give the audience a wild ride.

2. “Truck Stop Women” (1974)
And what of love on the road? This seventies flick is the epitome of campy, drive-in fun that revolves around a mother and daughter run New Mexican brothel for traveling truckers. The mantra “no rig was too big for them to handle” not only implies the obvious sexual innuendos, but is also a battle cry for these early feminists that fought against the Mafia and won. From start to finish, there are plenty of big rig chases, extremely violent and inventive death scenes, and of course, seventies-style nudity. This is not a film for the faint of heart or those interested in an accurate portrayal of an honest profession.

3. “White Line Fever” (1975)
Remember when Jan Michael-Vincent was actually a normal actor and not the freak show he has become? He’s the star of this mid-seventies drama, playing Carroll Jo Hummer, an honest, hardworking truck driver that has finally had enough of the system. Hummer’s loyalty lies with his wife and his rig, lovingly called The Blue Mule. When Hummer gets too bogged down by his cheatin’ and schemin’ boss—played by the iconic Slim Pickens—he takes his anger out across the U.S.A. The Blue Mule has an amazing show stopper at the end, and has recently been made immortal with a reference in Quentin Tarantino’s campy on demand movie, “Death Proof,” released in 2007.

4. “Smokey and The Bandit” (1977)
It’s hard to not to think of this movie first when it comes to the truck driving genre, although there are more muscle car and police cruiser scenes than anything else. Played by a then-hunky Burt Reynolds, The Bandit is a legendary trucker reluctantly pulled out of retirement to once again show up his nemesis, Smokey—also known to us common folk as the police. This fun romp starts with the need to secure enough Coors beer to make an east coast party—a scheme that includes a hot rod decoy that in turn attracts a runaway bride—aptly performed by a young Sally Field. Even though The Bandit isn’t driving a big rig, there are some truly sweet scenes with his 1977 black Pontiac Trans Am that can’t be denied.

5. “Breaker! Breaker!” (1977)
There is no shortage of action within this slice of truck driving drama. The title alone is homage to the rise of the C.B. fad, the all-important form of communicating on the road at the time. Chuck Norris stars as former karate champion and current Alaskan trucker, returning from a Texan vacation only to find his brother has met with a grave injustice. Once again, Smokey comes into play, and this time the corrupt cops face the wrath and reemergence of a martial arts master out for revenge. Perhaps this is the very role that fueled Norris to become the powerhouse that we know today.

6. “Every Which Way But Loose” (1978)
This Clint Eastwood classic incorporates the character of Philo Beddoe, a semi-pro prize fighter and pipe supply company trucker, along with his endearing and awfully hairy sidekick, Clyde. Beddoe meets his romantic match with the country and western singer wannabe, Lynn Halsey-Taylor (played by Sondra Locke), and finds misadventures on the road while pursuing her. Although her love doesn’t prove to be worth the chase, enough kookiness transpired to make way for “Any Which Way You Can” two years later as another classic monkey and man adventure.

7. “Convoy” (1978)
Directed by Sam Peckinpah, “Convoy” was inspired by Bill Fries’ resplendent 1975 song of the same name. Just as the song relays, the movie is a rough ‘n’ tumble epic of truckers that break the law in a mile-long caravan traveling through the Southwest states to Mexico. Like all good, campy seventies flicks, this one is not devoid of sex appeal. The then-muscle bound Kris Kristofferson stars as the ringleader, named Rubber Duck after his C.B. handle, and an ever-lovely Ali McGraw plays his love interest. The soundtrack includes some great driving music, from an obvious inclusion of “Convoy” to Crystal Gayle’s hit “Don’t It Make Your Brown Eyes Blue” and “Okie from Muskogee” by Merle Haggard.

8. “Pee Wee’s Big Adventure” (1985)
Who could forget Large Marge from this Pee Wee saga? Even though she only had a two to three minute cameo, this hardened, truck-driving horror was no doubt a nod toward the storytelling song, “Phantom 309” by Red Sovine. Poor Pee Wee was just looking for a ride when he got more than he bargained for by this female trucker. After her spooky tale of the worst accident she had ever seen ten years ago that night, Large Marge lets him out at the Wheel Inn truck stop with an ominous, “be sure and tell ‘em Large Marge sent ya,” along with a cackle that can make your toes curl. Somehow, Sovine’s Big Joe seemed a more benign ghost of a fellow.

9. “Maximum Overdrive” (1986)
One of Stephen King’s goofier releases, “Maximum Overdrive” is a campy horror flick about a gaggle of trucks (and machines in general) that come alive, only to seek revenge on mankind. Although it was based on the well-written “Trucks” from his “Night Shift” collection, King’s directorial debut earned him the dishonor of the Golden Raspberry Awards’ “Worst Director” title in 1987. Sometimes prose doesn’t translate as well into film, but that’s what makes this particular offering classic. Emilio Estevez stars as the main man and the soundtrack is stellar—performed exclusively by metal mavens and King’s favorite band, AC/DC. Although most of the songs had already been released a few years earlier, “Chase The Ace,” “D.T.” and the underlying theme of the movie, “Who Made Who,” were written especially for this film.

10. “Black Dog” (1998)
Almost a decade after Swayze found his fame as a ne’er-do-well done good in “Dirty Dancing,” he continued to find roughened roles within the likes of “Point Break” and “Road House.” In “Black Dog,” Swayze stars as Jack Crews, another ex-con-turned-good driver that spans the U.S. with what he comes to understand is a dangerous haul. When it’s clear that his family and life are in danger, Swayze has more malevolence than customer service on his mind. Country crooner Randy Travis and operatic rock god Meat Loaf star in this offering as well.

Although most of the truck driving themed films are more of a fun romp across the U.S. than an accurate portrayal of the profession, that’s what makes these movies such an escape. The campiness factor only kicks the adventure up a notch or two and gives us unforgettable characters in the end. Heroes like Fabrini brothers, Philo Beddoe, Carroll Jo Hummer and Jack Crews manage to save the day, get the girl (or keep their family safe), and get paid in spite of easy-to-hate villains and the ever-present corrupt cops. Perhaps The Bandit said it best when describing his livelihood and why he does it: “For the good old American lifestyle: For the money, for the glory, and for the fun … mostly for the money.”